Sasha Huber (b. 1975) is a Helsinki-based internationally recognised visual artist-researcher of Swiss-Haitian heritage. Huber’s work is concerned with the politics of memory, care and belonging in relation to colonial residues left in the environment. Connecting history and the present, she uses and responds to archival material within a layered creative practice that encompasses performance-based reparative interventions, video, photography, and collaborations. Huber also usurps the staple gun, aware of its symbolic significance as a weapon, while offering the potential to renegotiate unequal power dynamics and the possibility of repair, symbolically stitching wounds together (pain-things). Known for her artistic research contribution to the “Demounting Louis Agassiz” campaign, she is aiming at reassessing the glaciologist’s contentious racist heritage. She holds an MA in visual culture from Aalto University in Helsinki and is presently undertaking a practice-based PhD in artistic research at Zurich University of the Arts. Huber also works in a creative partnership with artist Petri Saarikko. Together they have initiated the long-term project Remedies Universe (since 2011) which explores aural family-knowledge in different geographical and cultural contexts and been invited to artist residencies around the world. In 2018 Huber was the recipient of a State Art Award from the Arts Promotion Centre Finland. In 2021–2024 her work is touring under the title “You Name It”, produced by The Power Plant Contemporary Art Gallery in Toronto and Autograph in London. A comprehensive book with the same title was published by Mousse Publishing in November 2022.