Performance
Larry Amponsah & Andrew Hart present a sonorous performance “Led in Strange Ways”
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Artists Larry Amponsah & Andrew Hart present Led in Strange Ways, a performance with music improvisation, public interaction, and conversation. A new take on Jazz and Afro beats is brought further to life with Hart’s drum machine, conceptual fashion designs by Ten Motiwa, and a screening of recent video works.
Larry Amponsah is a multi-media artist whose practice investigates traditional modes of image-making whilst employing unconventional strategies of production to look at the contemporary politics of imagery. Traditionally trained as a painter, creates collages made of archival images, objects, and stories from various cultures in order to negotiate systems of power and create new ways of transcending boundaries.
Andrew Hart is a multi-disciplinary artist who focuses on the symbiotic relationship between sound and painting through ongoing rhythmic research and play of improvised and spontaneous generative processes. His mutating practice questions the myriad formalities and dialogues around painting and issues including identity, pictorial space, subjective experience, context and his obsession with the circle.
Ten Motiwa is a conceptual fashion menswear designer who specialises in fur and sustainability. He grew up between London and Essex and references a sense of belonging within their grime and drill subcultures. Motiwa uses fashion to awaken convocations about how most youths today feel about life – from politics, economics, and culture.
This programme took place within Theaster Gates’s installation Black Image Corporation presented by Prada, The Vinyl Factory, and The Showroom. Collective Intimacy was inspired by Gates’s ethos of collaboration and The Showroom’s commitment to togetherness and communal knowledge, taking on multiple trans-located narratives of the current Black experience as a point of departure for a cosmopolitan worldview.
It aimed to create a new space for people to gather, listen, converse, and contemplate amongst a fusion of art, design, music, and everyday life. Taking place at both 180 The Strand and The Showroom, Collective Intimacy hosted interdisciplinary interventions by artists, musicians, designers, writers, thinkers, collectives and members of the public, who are all invited to distort notions of selfhood and togetherness in the spirit of creating a global community.
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“Collective Intimacy” Saturday 19 October at 180 The Strand
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Singer Bumi Thomas presents Border Native, a live music performance
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“Collective Intimacy” at The Showroom: Helen Cammock & Inua Ellams
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Poet Julianknxx screens “Roots For A Crown” with a talk and performance
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Phoebe Boswell’s group performance: The Lighthouse 2
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Designers Grace Wales Bonner & Samuel Ross in Conversation with Curator Elvira Dyangani Ose
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Poet Belinda Zhawi presents a poetry and sound set
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Designer Dozie Kanu in conversation with curator Elvira Dyangani Ose
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Designer Rose Nordin presents OOMK’s collaborative publishing practice
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Artist Amartey Golding screens his three Chainmail films with a live conversation of family & friends
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Performance by Poet Inua Ellams
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Poet & Musician James Massiah presents a new performance, ‘Purgatory’
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Beverley Bennett’s “Simon Says/Dadda”
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Collective Intimacy at The Showroom: POCC’s Screening and Q&A
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POCC presents a screening and Q&A
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Artist Simnikiwe Buhlungu hosts a sound session
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Project O screen their video “Saved”
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Project O screen their video “Saved”
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‘In Movement II’ with Dancer Zinzi Minott & Filmmaker DJ Rabz Lansiquot
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A BANTUTRONIC Conversation & Live Music
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Cultural Anthology POSTSCRIPT & Friends on Narratives of the Black Experience
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Collective Intimacy – A Live Programme
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Video
‘A Proper Burial Finally, Thanks America!’ by Tremaine Emory, in conversation with Theaster Gates and Elvira Dyangani Ose