Featuring commissioned texts from Sampada Aranke, Ashon Crawley, Elizabeth Graham, Tara Langford and Karen Salt, who have responded to the diacritic with their own speculative endeavours that could be framed through the lens of a circumflex (^).

Ima-Abasi Okon’s artist book, ^^^^^^^^^^^^^^^^^^^^^^^^^ (pronounced: Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex, Circumflex), and a conversation between Karen Salt and Taylor Le Melle.

^^^^^^^^^^^^^^^^^^^^^^^^^ completes the eponymous sculptural installation initiated by Ima-Abasi Okon in March 2018 as part of the group exhibition there's something in the conversation that is more interesting than the finality of (a title), which took place at The Showroom from 28 March – 5 May 2018.

^^^^^^^^^^^^^^^^^^^^^^^^^ is published by Press For Practice (PFP), which is a praxis of ontological en/in-fleshing and a thicker-excessive reading of ‘being’ (through print and maybe other things), initiated by Ima-Abasi Okon.

An excerpt from Karen Salt’s text, ‘Living and practicing radical movement within a limited world’ can be downloaded for free here.