Sambizanga, 1972, dir. Sarah Maldoror, excerpt from the film


The Dead Are Restless, They Speak! – A Public Provocation


The Dead Are Restless, They Speak! is a shared knowledge gathering co-organised by artist researchers Anawana Haloba (University of Bergen) and Romeo Gongora (Goldsmiths, University of London). It is the third episode of the Mini Lab they hold at Goldsmiths University that critically engages with the decolonial writings of philosophers Frantz Fanon and Paulo Freire.

This event at The Showroom features Haloba and Gongora in conversation with director Elvira Dyangani Ose to address ideas of collective learning and indigenous methodologies in response to Em’kal Eyongakpa’s current installation Tahjèsè ## 3i / barɨŋ báchɔ́kɔrɔk #4. This immersive sculptural environment forms part of sǒ bàtú (2016-19), an ongoing body of work including live sonic sketches, processions, kinetic sound sculptures and workshops with displaced communities focused on building analogue rhythmic systems, through which Eyongakpa explores ideas around portals, crossings and water in relation to resistance movements from the oil and natural gas-rich region of the Gulf of Guinea and beyond.

This public provocation takes inspiration from the Tuning In: Other Ways of Seeing workshop led by Haloba and Gongora that focused on the concept of collective learning and empowered indigenous methodologies offered by elders from the community. This first iteration was realised as a two-part venture: an exhibition and a series of projects in the form of an alternative school centred on workshops, discursive platforms, lectures, screening and pop-up shows. Tuning In: Other Ways of Seeing proposed a decolonial thinking methodology of unlearning and relearning by creating discursive platforms and exhibition projects addressing local geopolitics, collective histories and contemporary social issues.

The Dead Are Restless, They Speak! is part of a greater multi-day public programme taking place at Goldsmiths University, bringing together leading scholars to critically engage with the decolonial writings of philosophers Frantz Fanon and Paulo Freire. The events will consist of public discussions, workshops, reading sessions, film screenings and research presentations by invited participants and the public. This public programme responds to persistent polarising and populist movements relying on the modernist dichotomy “us vs. them”. Frantz Fanon held that “literature increasingly involves itself in its only real task, which is to get society to reflect and mediate”, and Paulo Freire envisioned cultural action as “a clear invitation to all who wish to participate in the reconstruction of society”. In response to these critical perspectives, The Dead Are Restless, They Speak! questions how Fanon’s and Freire’s ideas around decolonisation and the meaning of freedom are reflected in the communities we live in today.

This programme is part of the Arts Research Centre In Cultural Diversities series and is funded by Goldsmiths’ Mountain of Art Research (MARs) and Université du Québec à Montréal. Selected guests include Francisco Carballo (Lecturer, Goldsmiths), Ros Gray (Senior Lecturer, Goldsmiths), Susanne Winterling (Professor, Trondheim Academy of Fine Art) and Elvira Dyangani Ose (Director of The Showroom and Lecturer, Goldsmiths). For more details on the public event at Goldsmiths on Thursday 14 November 6pm 8pm see the Eventbrite here

Workshops at Goldsmith’s MARs Hub
43 Lewisham Way, Seminar room 5,
Goldsmiths, University of London

Monday 11 November

1:00pm – 4:00pm
Introduction to facilitators Anawana Haloba, Romeo Gongora, the guest Elvira Dyangani Ose and participants, and discussion about how to work with Frantz Fanon and Paulo Freire as artists and researchers?

Tuesday 12 November

10:00am – 12:00pm
Film screening of Sambizanga (1972) by dir. Sarah Maldoror followed by a group discussion with an excerpt of Frantz Fanon and Paulo Freire

1:00pm – 4:00pm
Group discussion on Frantz Fanon and Paulo Freire
Selected research presentation by participants and closure of the Mini Lab 3


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